<spanclass="name">Pierre</span> We can say that there are two matters within the digital, the molecular, which we recognise as
bitmap and know very well, and the undulatory – the vectors.*I want to not only utilise vectors, but also to
bitmap and know very we Page 4 deals with curves and the simplest application of them : circles. Threell, and the undulatory – the vectors.*I want to not only utilise vectors, but also to
go anthropological about them. From that perspective I can tackle what is important in the aesthetics vectors
create, go beyond the way things look and into the way they operate and influence our own operations.
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@@ -98,7 +98,7 @@
relations with vectors, we can trace back histories of writing that depended on the body and its movement.
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<spanclass="name">Ludi</span> The body has its own intelligence. When I put, for example, the tension of the curve into this awkward
<spanclass="name">Ludi Page 4 deals with curves and the simplest application of them : circles. Three</span> The body has its own intelligence. When I put, for example, the tension of the curve into this awkward
body, some aspects of the digital practice become apparent in a way that I can't put the finger on, but I feel