Commit 387dde66 authored by gijs's avatar gijs

Added APG event

parent c2339e12
......@@ -342,7 +342,9 @@
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<li><a href="caveat-contact.html">Contact</span></a></li>
<!-- <li><a href="" class="artist"><span>Activities</span></a></li>
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<div id="prolog">
<!-- <p class= "question-quote">Giving the situation the power to make things</p> -->
</div>
<div class="about">
<p class="intro"><strong>Caveat</strong> tries to find more sustainable, balanced ways of operating within
the existing legal frameworks. And when the limits of the existing system are reached, it tries to come up
with possible new narratives that open up space for reflection.</p>
</div>
</aside>
<aside class="right">
<div id="detail-container" class="event detail active">
<div class="event-detail-header event detail active">
<p class="event-date">
<time datetime="2019-06-03">3</time> &amp; <time datetime="2019-06-04">4 June 2019</time>
</p>
<p class="event-title">Artist Placement.<br>Caveat at Argos</p>
<p class="event-exerpt">Artist Placement is a two-day series of presentations and discussions on the Artist
Placement Group (APG), its ongoing relevance, and current projects and initiatives that taking
inspiration from it. </p>
<span class="event-detail">
<img class="event-detail" src="img/the-sculpture---vacant-state.jpg">
<p class="event-infos">3 &amp; 4 June 2019</p>
<p class="event-infos">ARGOS, Centre for Art &amp; Media</p>
<p class="event-infos">Werfstraat 13 rue du Chantier</p>
<p class="event-infos">1000 Brussels</p>
<p></p>
<div class="button"><a href="caveat-apg-event-detail.html"> → See programme</a></div>
<p></p>
<p>Artist Placement is a Caveat programme that aims to address the current search for new organisational
models, production schemes, and hybrid forms of organization in the art world. The programme takes as a
starting point the Artist Placement Group (APG), a milestone in Conceptual Art in Britain, to address
the resurgent interest in reinventing the means of making and disseminating art.</p>
<p>APG provided an important historical counter model anticipating many of the issues facing cultural
workers today, in terms of seeking different forms of patronage, repurposing and reutilising different
spaces, and thinking of ways to reorganize the art world.</p>
<p>Between 1966 and the turn of the eighties, APG negotiated approximately fifteen placements for artists
lasting from a few weeks to several years. First within industries (often large corporations such as
British Steel) and later within UK government departments such as the Department of the Environment and
the Scottish Office, APG arranged that artists could work to an ‘open brief’. Their placements were not
required to produce tangible results, but the engagement itself could potentially benefit both host
organisations as well as the artists in the long-term.</p>
<p>Today, there is a trend of artists reclaiming, or finding recuperative possibilities in practicing
within, corporations and companies. Do these practices hold the promise of a transformative model for
today's art world? Re-examing APG’s initial gesture, through looking at the present, is timely now.</p>
<p>Artist Placement offers a series of presentations and discussions that take inspiration from the
Artist Placement Group (APG). With <a href="" class="artist"><span>Gareth Bell-Jones</span></a>, <a
href="" class="artist"><span>David Hilmer Rex</span></a>, <a href="" class="artist"><span>Anthony
Hudek</span></a>, <a href="" class="artist"><span>Victoria Ivanova</span></a>, <a href="" class="artist"><span>Josephine
Kaeppelin</span></a>, <a href="" class="artist"><span>Olive Martin</span></a> &amp; <a href=""
class="artist"><span>Patrick Bernier</span></a>, <a href="" class="artist"><span>Vijai Patchineelam</span></a>,
<a href="" class="artist"><span>Scott William Raby</span></a>, <a href="" class="artist"><span>Barbara
Steveni</span></a> and Caveat ‘dramaturgs’ <a href="" class="artist"><span>Steyn Bergs</span></a>
and <a href="" class="artist"><span>Greg Nijs</span></a>, the programme will address the past and
present relevance of APG. Through the presentation of current projects and initiatives that were
inspired by APG, such as Diakron, Social Sensibility, Incidental Unit, the programme equally aims to
open up perspectives for future activities of Caveat.</p>
<p>Free entrance. Registration required: <a href="mailto:info@caveat.be">info@caveat.be</a>. Please
indicate which part of the programme you like to attend.</p>
<br />
<br />
<br />
</span>
</div>
</div>
<div id="detail-container" class="programme">
<div class="event">
<p class="event-date"><time datetime="2019-6-3">3 June, day programme</time></p>
</div>
<div class="event">
<p><span class="event-infos">12:00</span>&nbsp;lunch, introduction on the event</p>
</div>
<div class="event">
<p><span class="event-infos">13:00</span>&nbsp;<a class="artist" href=""><span>Anthony Hudek</span></a> introduction on Artist Placement Group (APG)</p>
</div>
<div class="event">
<p><span class="event-infos">13:30</span>&nbsp;<a href="" class="artist"><span>Scott William Raby</span></a> (Caveat artist in residence) will introduce Copenhagen-based <a href="https://diakron.dk/">Diakron</a>, featuring a previously recorded interview with David Hilmer Rex, artist and co-founder of Diakron. Moderated Q&A </p>
</div>
<div class="event">
<p><span class="event-infos">14:30</span>&nbsp;<a href="" class="artist"><span>Josephine Kaeppelin</span></a> (Caveat artist in residence) is working on an audit at Beursschouwburg. In this programme she will present her experiences during an <a href="http://www.josephinekaeppelin.com/siegwerk.html">audit at Siegwerk</a>, an international manufacturer of printing inks for packaging. She will also introduce a game she's working on for Beursschouwburg.
Moderated Q&A</p>
</div>
<div class="event">
<p><span class="event-infos">15:30</span>&nbsp;break</p>
</div>
<div class="event">
<p><span class="event-infos">16:00</span>&nbsp;<a href="" class="artist"><span>Olive Martin</span></a> & <a href="" class="artist"><span>Patrick Bernier</span></a> (Caveat artists in residence) will speak about their inquiry into four kodachrome images they found at the CCP (Centre de Culture Populaire) in the industrial city of Saint-Nazaire in France. These images taken in the 1980s show shipyard workers sharing, in the framework of their company, their cultural backgrounds and primary know-how.
Moderated Q&A</p>
</div>
<div class="event">
<p><span class="event-infos">17:30</span>&nbsp;apero / buffet</p>
</div>
<div class="event">
<p class="event-date"><time datetime="2019-6-3">3 June, evening programme</time></p>
</div>
<div class="event">
<p><span class="event-infos">19:00</span>&nbsp;<a href="" class="artist"><span>Gareth Bell-Jones</span></a>, director of Flat Time House (London) will speak about <a href="http://flattimeho.org.uk/projects/incidental-unit">The Incidental Unit</a>, the current revival of the APG programme. <a href="" class="artist"><span>Barbara Steveni</span></a>, co-founder of APG, will be present through skype and discussed the short film that will be screened.</p>
</div>
<div class="event">
<p>Q&A with Antony Hudek, director of Curatorial Studies programme at KASK (Ghent) and curator at M HKA (Antwerp)</p>
</div>
<div class="event">
<p><span class="event-infos">20:30</span>&nbsp;drinks</p>
</div>
<div class="event">
<p class="event-date"><time datetime="2019-6-3">4 June, day programme</time></p>
</div>
<div class="event">
<p><span class="event-infos">9:30</span>&nbsp;coffee</p>
</div>
<div class="event">
<p><span class="event-infos">10:00</span>&nbsp;<a href="" class="artist"><span>Vijai Patchineelam</span></a>, artist, will speak of his work on developing a 'protocol' that would allow art institutions to have an artist in the organisation without the usual agenda of having a show, working on a commission, or giving a talk, etc. Simply have an 'artist placement' (as artist and paid), and see how this presence affects the institution and its operational logic.
Moderated Q&A </p>
</div>
<div class="event">
<p><span class="event-infos">11:00</span>&nbsp;<a href="" class="artist"><span>Victoria Ivanova</span></a>, curator and writer, will discuss the art field's infrastructural composition. She will argue that this needs to be addressed if we are serious about gently pushing towards a modus that functions as an ecology – taking into account the necessities of all participating agents – rather than the ‘split-screen mentality’ veiling its predominantly economic regime.
Moderated Q&A</p>
</div>
<div class="event">
<p><span class="event-infos">12:00</span>&nbsp;<a href="" class="artist"><span>Scott William Raby</span></a> (Caveat artist in residence) will introduce his broader artistic research by focusing on his current engagement with Social Sensibility, among other projects. The <a href="http://www.socialsensibility.org/Social-Sensibility-R-D-Department">Social Sensibility Research and Development</a> (SSR&D) is a department created by artist Alessandro Rolandi at Bernard Controls, a French company producing actuators for nuclear valves, with branches in Beijing and Paris. Moderated Q&A.</p>
</div>
<div class="event">
<p><span class="event-infos">13:00</span>&nbsp;lunch</p>
</div>
<div class="event">
<p><span class="event-infos">14:00</span>&nbsp;discussion initiated by Caveat ‘dramaturgs’ <a href="" class="artist"><span>Steyn Bergs</span></a> and <a href="" class="artist"><span>Greg Nijs</span></a></p>
</div>
<div class="event">
<p><span class="event-infos">15:30</span>&nbsp;Round up of the two day programme.</p>
</div>
</div>
</aside>
</main>
<aside class="partners">
<p class=""><img class="logo-partners" style="" src="img/logos/inoviris.svg" /><strong>Caveat</strong> is a
co-create research project convened by the Brussels-based artists’ initiative Jubilee, in partnership with Open
Source Publishing, No New Enemies and Été 78 and supported by Innoviris, Brussels Institute for Research and
Innovation.</p>
</aside>
</div>
</body>
<script>
// activate(closest, entries);
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</aside>
<aside class="right">
<nav id="menu">
<p class="logo"><a href="caveat-agenda.html"><img class="logo" src="img/logos/logo-caveat-90.png"/></a></p>
<p class="logo"><a href="index.html"><img class="logo" src="img/logos/logo-caveat-90.png"/></a></p>
<ul>
<li><a href="caveat-about.html">About</a></li>
......
......@@ -22,7 +22,7 @@
<aside class="left">
<nav id="menu">
<p class="logo"><a href="caveat-agenda.html"><img class="logo" src="img/logos/logo-caveat-90.png"/></span></a></p>
<p class="logo"><a href="index.html"><img class="logo" src="img/logos/logo-caveat-90.png"/></span></a></p>
<ul>
<li><a href="caveat-about.html">About</span></a></li>
......@@ -42,6 +42,36 @@
</aside>
<aside class="right">
<div class="agenda">
<div id="apg-argos" class="event presentation">
<div class="event-detail-header">
<img class="event-image" src="img/the-sculpture---vacant-state.jpg">
<p class="event-date"><time datetime="2019-06-03">3</time> & <time datetime="2019-06-04">4 June 2019</time></p>
<p class="event-title">Artist Placement.<br />Caveat at Argos</p>
<p class="event-exerpt">Artist Placement is a two-day series of presentations and discussions on the Artist Placement Group (APG), its ongoing relevance, and current projects and initiatives that taking inspiration from it. <div class="button button-header"><a href="caveat-apg-event-detail.html" > → See programme</a></div></p>
<span class="event-detail">
<img class="event-detail" src="img/the-sculpture---vacant-state.jpg">
<p class="event-infos">3 & 4 June 2019</p>
<p class="event-infos">ARGOS, Centre for Art & Media</p>
<p class="event-infos">Werfstraat 13 rue du Chantier</p>
<p class="event-infos">1000 Brussels</p>
<p><div class="button"><a href="caveat-apg-event-detail.html" > → See programme</a></div></p>
<p>Artist Placement is a Caveat programme that aims to address the current search for new organisational models, production schemes, and hybrid forms of organization in the art world. The programme takes as a starting point the Artist Placement Group (APG), a milestone in Conceptual Art in Britain, to address the resurgent interest in reinventing the means of making and disseminating art.</p>
<p>APG provided an important historical counter model anticipating many of the issues facing cultural workers today, in terms of seeking different forms of patronage, repurposing and reutilising different spaces, and thinking of ways to reorganize the art world.</p>
<p>Between 1966 and the turn of the eighties, APG negotiated approximately fifteen placements for artists lasting from a few weeks to several years. First within industries (often large corporations such as British Steel) and later within UK government departments such as the Department of the Environment and the Scottish Office, APG arranged that artists could work to an ‘open brief’. Their placements were not required to produce tangible results, but the engagement itself could potentially benefit both host organisations as well as the artists in the long-term.</p>
<p>Today, there is a trend of artists reclaiming, or finding recuperative possibilities in practicing within, corporations and companies. Do these practices hold the promise of a transformative model for today's art world? Re-examing APG’s initial gesture, through looking at the present, is timely now.</p>
<p>Artist Placement offers a series of presentations and discussions that take inspiration from the Artist Placement Group (APG). With <a href="" class="artist"><span>Gareth Bell-Jones</span></a>, <a href="" class="artist"><span>David Hilmer Rex</span></a>, <a href="" class="artist"><span>Anthony Hudek</span></a>, <a href="" class="artist"><span>Victoria Ivanova</span></a>, <a href="" class="artist"><span>Josephine Kaeppelin</span></a>, <a href="" class="artist"><span>Olive Martin</span></a> & <a href="" class="artist"><span>Patrick Bernier</span></a>, <a href="" class="artist"><span>Vijai Patchineelam</span></a>, <a href="" class="artist"><span>Scott William Raby</span></a>, <a href="" class="artist"><span>Barbara Steveni</span></a> and Caveat ‘dramaturgs’ <a href="" class="artist"><span>Steyn Bergs</span></a> and <a href="" class="artist"><span>Greg Nijs</span></a>, the programme will address the past and present relevance of APG. Through the presentation of current projects and initiatives that were inspired by APG, such as Diakron, Social Sensibility, Incidental Unit, the programme equally aims to open up perspectives for future activities of Caveat.</p>
<p>Free entrance. Registration required: <a href="mailto:info@caveat.be">info@caveat.be</a>. Please indicate which part of the programme you like to attend.</p>
<div class="button"><a href="caveat-apg-event-detail.html" > → See programme</a></div>
</span>
</div>
</div>
<div id="reading-room-8" class="event presentation">
<div class="event-detail-header">
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