Commit fbb7181c authored by sarah's avatar sarah
Browse files

corrections span all

parent 62f617c7
......@@ -158,19 +158,24 @@
<div id="my-toc-content" style="display:none;"></div>
<p class="running-header">Art, espace, public</p>
<figure class=""><img alt="" src="contenu-final/012-visuels-texte-environnement/1A.jpg" /><figcaption>
<p>Installation de Jean %%Glibert, Jean|Glibert%% à la <span class="book-index" data-book-index="Bourse">Bourse</span> dans le cadre de l’exposition <em>La couleur et la Ville</em>, 1978. Photo&#x202F;: Jean %%Glibert, Jean|Glibert%%</p>
<figure class="">
<p><img alt="" src="contenu-final/012-visuels-texte-environnement/1A.jpg" /></p>
<figcaption>
<p>
Installation de Jean <span class="book-index" data-book-index="Glibert, Jean">Glibert</span> à la
<span class="book-index" data-book-index="Bourse">Bourse</span>
dans le cadre de l’exposition <em>La couleur et la Ville</em>, 1978. Photo&#x202F;: Jean Glibert
</p>
</figcaption>
</figure>
<figure class="elem-float-top"><img alt="" src="contenu-final/012-visuels-texte-environnement/2A.jpg" /><figcaption>
<p>%%Tout (Asbl)|TOUT%% (Paul %%Gonze, Paul|Gonze%%), <em>Rêve encadré</em>, installation au %%Mont des Arts%% dans le cadre de l’exposition <em>La couleur et la Ville</em>, 1978. Photo&#x202F;: Paul %%Gonze, Paul|Gonze%%</p>
<p><span class="book-index" data-book-index="Tout (Asbl)">TOUT</span> (Paul <span class="book-index" data-book-index="Gonze, Paul">Gonze</span>), <em>Rêve encadré</em>, installation au <span class="book-index" data-book-index="Mont des Arts">Mont des Arts</span> dans le cadre de l’exposition <em>La couleur et la Ville</em>, 1978. Photo&#x202F;: Paul Gonze</p>
</figcaption>
</figure>
<p><span class="lettrine">M</span>on récit commence avec l’exposition <em>La couleur et la ville</em>. Organisée
du 14 novembre au 10 décembre 1978 à l’initiative du Secrétaire d’Etat à
la Culture Française François <span class="book-index" data-book-index="Persoons, François">Persoons</span>, elle est pensée comme un projet
la Culture Française François <span class="book-index" data-book-index="Persoons, François">Persoons</span> , elle est pensée comme un projet
expérimental dont il confie l’organisation à deux ASBL bruxelloises&#x202F;:
l’ISELP (Gita <span class="book-index" data-book-index="Brys-Schatan, Gita">Brys-Schatan</span>) et<span class="book-index" data-book-index="Jeunesse et Arts Plastiques (JAP)">JAP</span><sup id="fnref:1"><a class="footnote-ref" href="#fn:1">1</a></sup> (Michel <span class="book-index" data-book-index="Baudson, Michel">Baudson</span>). Elle rassemble
les artistes Jean <span class="book-index" data-book-index="Glibert, Jean">Glibert</span>, <span class="book-index" data-book-index="De Gobert, Philippe">Philippe De Gobert</span>, <span class="book-index" data-book-index="Jano">Jano</span>, <span class="book-index" data-book-index="Mees, André">André Mees</span>,
......@@ -237,7 +242,7 @@ sculpture d’arbre dans le Parc royal, et, fidèle à sa volonté de
décloisonner, le poète Maurice <span class="book-index" data-book-index="Maelderlick, Maurice">Maelderlick</span> et le compositeur Alain
Pierre, qui proposent une composition-spectacle synesthésique.</p>
<figure class="elem-float-top petit table-ronde"><img class="" alt="" src="contenu-final/012-visuels-texte-environnement/3.jpg" /><figcaption>
<p>Affiche de la table ronde <em>Urbanistes et pouvoirs de décision</em> du cycle %%Environnemental%%, 23 avril 1981.</p>
<p>Affiche de la table ronde <em>Urbanistes et pouvoirs de décision</em> du cycle <span class="book-index" data-book-index="Environnemental">Environnemental</span>, 23 avril 1981.</p>
</figcaption>
</figure>
......@@ -313,7 +318,7 @@ sont organisées entre elles par des liens formels ou thématiques
implicites. Cette abondante iconographie véhicule immédiatement la
portée multiple du manifeste.</p>
<figure class="elem-float-top petit manifeste"><img alt="" class="" src="contenu-final/012-visuels-texte-environnement/5A-coupe-gauche-g.jpg" /><figcaption>
<p>(Pages 190, 191 et 192)<br/>Manifeste pour l’%%Environnemental%%, publié dans <em>%%Environnemental%%, cahier n°1</em>, 1983.</p>
<p>(Pages 190, 191 et 192)<br/>Manifeste pour l’<span class="book-index" data-book-index="Environnemental">Environnemental</span>, publié dans <em>Environnemental, cahier n°1</em>, 1983.</p>
</figcaption>
</figure>
<figure class="elem-float-top petit manifeste"><img alt="" class="" src="contenu-final/012-visuels-texte-environnement/5A-coupe-g.jpg" /><figcaption>
......@@ -376,7 +381,7 @@ grande salle, et j’ai peint en live avec <span class="book-index" data-book-in
</figure>
<figure class="elem-float-top couverture-env"><img alt="" src="contenu-final/012-visuels-texte-environnement/6.jpg" /><figcaption>
<p>Couverture du premier numéro de la revue <em>%%Environnemental%%</em>, juin 1990.</p>
<p>Couverture du premier numéro de la revue <em><span class="book-index" data-book-index="Environnemental">Environnemental</span></em>, juin 1990.</p>
</figcaption>
</figure>
......@@ -410,13 +415,13 @@ une année d’interruption de la commission.</p>
<p>Vue de l’installation <em>La vie errante – La vie immobile – La prison</em> de Tatiana <span class="book-index" data-book-index="Bohm, Tatiana">Bohm</span> dans le Parc d’Egmont, 2012. Photo&#x202F;: ©&#x202F;JJ SEROL</p>
</figcaption>
</figure>
<figure class="elem-float-top"><img alt="" src="contenu-final/012-visuels-texte-environnement/8©jjserol_1429.jpg" /><figcaption><p>Vue de l’installation <em>Inside / OUT</em> de %%Chenut, Vincent|Vincent Chenut%% et Alberto %%Ginepro, Alberto|Ginepro%% dans le parc d'Egmont, 2013. Photo&#x202F;: ©&#x202F;JJ SEROL</p>
<figure class="elem-float-top"><img alt="" src="contenu-final/012-visuels-texte-environnement/8©jjserol_1429.jpg" /><figcaption><p>Vue de l’installation <em>Inside / OUT</em> de <span class="book-index" data-book-index="Chenut, Vincent">Vincent Chenut</span> et Alberto <span class="book-index" data-book-index="Ginepro, Alberto">Ginepro</span> dans le parc d'Egmont, 2013. Photo&#x202F;: ©&#x202F;JJ SEROL</p>
</figcaption>
</figure>
<figure class="elem-float-top"><img alt="" src="contenu-final/012-visuels-texte-environnement/10Colombi.jpg" />
<figcaption>
<p>%%Colombi, Chiara|Chiara Colombi%%, <em>Monument à la jeunesse</em>, campus de l’Institut %%Institut Emile Gryson|Emile Gryson%%, 2017. Photo&#x202F;: ISELP, Antoine %%Debeauvais, Antoine|Debeauvais%%</p>
<p><span class="book-index" data-book-index="Colombi, Chiara">Chiara Colombi</span>, <em>Monument à la jeunesse</em>, campus de l’Institut <span class="book-index" data-book-index="Institut Emile Gryson">Emile Gryson</span>, 2017. Photo&#x202F;: ISELP, Antoine <span class="book-index" data-book-index="Debeauvais, Antoine">Debeauvais</span></p>
</figcaption>
</figure>
......@@ -556,12 +561,12 @@ l’art dans l’espace public. La question de la visibilité (et de la
pérennité) des œuvres trouve d’autres réponses, tandis que la
co-construction avec les participants au projet devient plus prégnante.</p>
<figure class="elem-float-top"><img alt="" src="contenu-final/012-visuels-texte-environnement/9A.jpg" /><figcaption>
<p>Une des discussions menées dans le <em>Parlamento Flor</em> conçu par Zuloark pour le laboratoire %%Urban|Being Urban%%, 2015. Photo&#x202F;: Lionel Destrument</p>
<p>Une des discussions menées dans le <em>Parlamento Flor</em> conçu par Zuloark pour le laboratoire <span class="book-index" data-book-index="Urban">Being Urban</span>, 2015. Photo&#x202F;: Lionel Destrument</p>
</figcaption>
</figure>
<figure class="elem-float-top"><img alt="" src="contenu-final/012-visuels-texte-environnement/11.jpg" /><figcaption>
<p>Œuvre de Thierry %%Verbeke, Thierry|Verbeke%% conçue pour le site RECY-K de l’Agence %%Bruxelles Propreté%%, installée en 2020. Photo&#x202F;: Nicolas Lambillon</p>
<p>Œuvre de Thierry <span class="book-index" data-book-index="Verbeke, Thierry">Verbeke</span> conçue pour le site RECY-K de l’Agence <span class="book-index" data-book-index="Bruxelles Propreté">Bruxelles Propreté</span>, installée en 2020. Photo&#x202F;: Nicolas Lambillon</p>
</figcaption>
</figure>
......
......@@ -11,23 +11,29 @@ Adrien %%Grimmeau, Adrien|Grimmeau%%
Art, espace, public
{: .running-header}
<figure class=""><img alt="" src="contenu-final/012-visuels-texte-environnement/1A.jpg" /><figcaption>
<p>Installation de Jean %%Glibert, Jean|Glibert%% à la <span class="book-index" data-book-index="Bourse">Bourse</span> dans le cadre de l’exposition <em>La couleur et la Ville</em>, 1978. Photo&#x202F;: Jean %%Glibert, Jean|Glibert%%</p>
<figure class="" markdown=1>
<img alt="" src="contenu-final/012-visuels-texte-environnement/1A.jpg" />
<figcaption>
<p>
Installation de Jean <span class="book-index" data-book-index="Glibert, Jean">Glibert</span> à la
<span class="book-index" data-book-index="Bourse">Bourse</span>
dans le cadre de l’exposition <em>La couleur et la Ville</em>, 1978. Photo&#x202F;: Jean Glibert
</p>
</figcaption>
</figure>
<figure class="elem-float-top"><img alt="" src="contenu-final/012-visuels-texte-environnement/2A.jpg" /><figcaption>
<p>%%Tout (Asbl)|TOUT%% (Paul %%Gonze, Paul|Gonze%%), <em>Rêve encadré</em>, installation au %%Mont des Arts%% dans le cadre de l’exposition <em>La couleur et la Ville</em>, 1978. Photo&#x202F;: Paul %%Gonze, Paul|Gonze%%</p>
<p><span class="book-index" data-book-index="Tout (Asbl)">TOUT</span> (Paul <span class="book-index" data-book-index="Gonze, Paul">Gonze</span>), <em>Rêve encadré</em>, installation au <span class="book-index" data-book-index="Mont des Arts">Mont des Arts</span> dans le cadre de l’exposition <em>La couleur et la Ville</em>, 1978. Photo&#x202F;: Paul Gonze</p>
</figcaption>
</figure>
<span class="lettrine">M</span>on récit commence avec l’exposition *La couleur et la ville*. Organisée
du 14 novembre au 10 décembre 1978 à l’initiative du Secrétaire d’Etat à
la Culture Française François %%Persoons, François|Persoons%%, elle est pensée comme un projet
la Culture Française François <span class="book-index" data-book-index="Persoons, François">Persoons</span> , elle est pensée comme un projet
expérimental dont il confie l’organisation à deux ASBL bruxelloises&#x202F;:
l’ISELP (Gita <span class="book-index" data-book-index="Brys-Schatan, Gita">Brys-Schatan</span>) et%%Jeunesse et Arts Plastiques (JAP)| JAP%%[^1] (Michel <span class="book-index" data-book-index="Baudson, Michel">Baudson</span>). Elle rassemble
les artistes Jean %%Glibert, Jean|Glibert%%, %%De Gobert, Philippe|Philippe De Gobert%%, %%Jano%%, %%Mees, André|André Mees%%,
Jacqueline %%Mesmaeker, Jacqueline|Mesmaeker%%, *«&#x202F;%%Tout (Asbl)|TOUT%%&#x202F;»* (Paul %%Gonze, Paul|Gonze%%), Serge %%Vandercam, Serge|Vandercam%%, le
les artistes Jean <span class="book-index" data-book-index="Glibert, Jean">Glibert</span>, <span class="book-index" data-book-index="De Gobert, Philippe">Philippe De Gobert</span>, <span class="book-index" data-book-index="Jano">Jano</span>, <span class="book-index" data-book-index="Mees, André">André Mees</span>,
Jacqueline <span class="book-index" data-book-index="Mesmaeker, Jacqueline">Mesmaeker</span>, *«&#x202F;<span class="book-index" data-book-index="Tout (Asbl)">TOUT</span>&#x202F;»* (Paul %%Gonze, Paul|Gonze%%), Serge %%Vandercam, Serge|Vandercam%%, le
collectif %%50/04 (collectif)|50/04%% ainsi que le poète Maurice %%Maelderlick, Maurice|Maelderlick%% et le compositeur
%%Pierre, Alain|Alain Pierre%%.
......@@ -104,7 +110,7 @@ décloisonner, le poète Maurice %%Maelderlick, Maurice|Maelderlick%% et le comp
Pierre, qui proposent une composition-spectacle synesthésique.
<figure class="elem-float-top petit table-ronde"><img class="" alt="" src="contenu-final/012-visuels-texte-environnement/3.jpg" /><figcaption>
<p>Affiche de la table ronde <em>Urbanistes et pouvoirs de décision</em> du cycle %%Environnemental%%, 23 avril 1981.</p>
<p>Affiche de la table ronde <em>Urbanistes et pouvoirs de décision</em> du cycle <span class="book-index" data-book-index="Environnemental">Environnemental</span>, 23 avril 1981.</p>
</figcaption>
</figure>
......@@ -193,7 +199,7 @@ implicites. Cette abondante iconographie véhicule immédiatement la
portée multiple du manifeste.
<figure class="elem-float-top petit manifeste"><img alt="" class="" src="contenu-final/012-visuels-texte-environnement/5A-coupe-gauche-g.jpg" /><figcaption>
<p>(Pages 190, 191 et 192)<br/>Manifeste pour l’%%Environnemental%%, publié dans <em>%%Environnemental%%, cahier n°1</em>, 1983.</p>
<p>(Pages 190, 191 et 192)<br/>Manifeste pour l’<span class="book-index" data-book-index="Environnemental">Environnemental</span>, publié dans <em>Environnemental, cahier n°1</em>, 1983.</p>
</figcaption>
</figure>
<figure class="elem-float-top petit manifeste"><img alt="" class="" src="contenu-final/012-visuels-texte-environnement/5A-coupe-g.jpg" /><figcaption>
......@@ -262,7 +268,7 @@ grande salle, et j’ai peint en live avec %%Metallic Avau|Metallic%% Avau.&#x20
<figure class="elem-float-top couverture-env"><img alt="" src="contenu-final/012-visuels-texte-environnement/6.jpg" /><figcaption>
<p>Couverture du premier numéro de la revue <em>%%Environnemental%%</em>, juin 1990.</p>
<p>Couverture du premier numéro de la revue <em><span class="book-index" data-book-index="Environnemental">Environnemental</span></em>, juin 1990.</p>
</figcaption>
</figure>
......@@ -301,13 +307,13 @@ une année d’interruption de la commission.
<p>Vue de l’installation <em>La vie errante – La vie immobile – La prison</em> de Tatiana <span class="book-index" data-book-index="Bohm, Tatiana">Bohm</span> dans le Parc d’Egmont, 2012. Photo&#x202F;: ©&#x202F;JJ SEROL</p>
</figcaption>
</figure>
<figure class="elem-float-top"><img alt="" src="contenu-final/012-visuels-texte-environnement/8©jjserol_1429.jpg" /><figcaption><p>Vue de l’installation <em>Inside / OUT</em> de %%Chenut, Vincent|Vincent Chenut%% et Alberto %%Ginepro, Alberto|Ginepro%% dans le parc d'Egmont, 2013. Photo&#x202F;: ©&#x202F;JJ SEROL</p>
<figure class="elem-float-top"><img alt="" src="contenu-final/012-visuels-texte-environnement/8©jjserol_1429.jpg" /><figcaption><p>Vue de l’installation <em>Inside / OUT</em> de <span class="book-index" data-book-index="Chenut, Vincent">Vincent Chenut</span> et Alberto <span class="book-index" data-book-index="Ginepro, Alberto">Ginepro</span> dans le parc d'Egmont, 2013. Photo&#x202F;: ©&#x202F;JJ SEROL</p>
</figcaption>
</figure>
<figure class="elem-float-top"><img alt="" src="contenu-final/012-visuels-texte-environnement/10Colombi.jpg" />
<figcaption>
<p>%%Colombi, Chiara|Chiara Colombi%%, <em>Monument à la jeunesse</em>, campus de l’Institut %%Institut Emile Gryson|Emile Gryson%%, 2017. Photo&#x202F;: ISELP, Antoine %%Debeauvais, Antoine|Debeauvais%%</p>
<p><span class="book-index" data-book-index="Colombi, Chiara">Chiara Colombi</span>, <em>Monument à la jeunesse</em>, campus de l’Institut <span class="book-index" data-book-index="Institut Emile Gryson">Emile Gryson</span>, 2017. Photo&#x202F;: ISELP, Antoine <span class="book-index" data-book-index="Debeauvais, Antoine">Debeauvais</span></p>
</figcaption>
</figure>
......@@ -469,13 +475,13 @@ l’art dans l’espace public. La question de la visibilité (et de la
pérennité) des œuvres trouve d’autres réponses, tandis que la
co-construction avec les participants au projet devient plus prégnante.
<figure class="elem-float-top"><img alt="" src="contenu-final/012-visuels-texte-environnement/9A.jpg" /><figcaption>
<p>Une des discussions menées dans le <em>Parlamento Flor</em> conçu par Zuloark pour le laboratoire %%Urban|Being Urban%%, 2015. Photo&#x202F;: Lionel Destrument</p>
<p>Une des discussions menées dans le <em>Parlamento Flor</em> conçu par Zuloark pour le laboratoire <span class="book-index" data-book-index="Urban">Being Urban</span>, 2015. Photo&#x202F;: Lionel Destrument</p>
</figcaption>
</figure>
<figure class="elem-float-top"><img alt="" src="contenu-final/012-visuels-texte-environnement/11.jpg" /><figcaption>
<p>Œuvre de Thierry %%Verbeke, Thierry|Verbeke%% conçue pour le site RECY-K de l’Agence %%Bruxelles Propreté%%, installée en 2020. Photo&#x202F;: Nicolas Lambillon</p>
<p>Œuvre de Thierry <span class="book-index" data-book-index="Verbeke, Thierry">Verbeke</span> conçue pour le site RECY-K de l’Agence <span class="book-index" data-book-index="Bruxelles Propreté">Bruxelles Propreté</span>, installée en 2020. Photo&#x202F;: Nicolas Lambillon</p>
</figcaption>
</figure>
......
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\ No newline at end of file
......@@ -2063,7 +2063,7 @@ contemporain en Belgique (AACB)</p></span>
</section>
<section class="index-row">
<span class="index-row-key"><p>Maison de repos et de soins «klzzwxh:1420Aux Ursulinesklzzwxh:1421»</p></span>
<span class="index-row-key"><p>Maison de repos et de soins «klzzwxh:1413Aux Ursulinesklzzwxh:1414</p></span>
<section class="index-row-pagenumbers"><p><span class="index-page-number">66</span></p></section>
</section>
......@@ -3024,7 +3024,7 @@ contemporain en Belgique (AACB)</p></span>
<section class="index-row">
<span class="index-row-key"><p>École nationale supérieure d’architecture et des arts visuels de La Cambre (La Cambre)</p></span>
<section class="index-row-pagenumbers"><p><span class="index-page-number">3</span>, <span class="index-page-number">4</span>, <span class="index-page-number">5</span>, <span class="index-page-number">8</span>, <span class="index-page-number">10</span>, <span class="index-page-number">11</span>, <span class="index-page-number">12</span>, <span class="index-page-number">35</span>, <span class="index-page-number">56</span></p></section>
<section class="index-row-pagenumbers"><p><span class="index-page-number">3</span>, <span class="index-page-number">4</span>, <span class="index-page-number">5</span>, <span class="index-page-number">8</span>, <span class="index-page-number">10</span>, <span class="index-page-number">11</span>, <span class="index-page-number">12</span>, <span class="index-page-number">35</span>, <span class="index-page-number">56</span>, <span class="index-page-number">60</span></p></section>
</section>
</section>
......
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\ No newline at end of file
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\ No newline at end of file
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