Commit d0a90b05 authored by anne laforet's avatar anne laforet
Browse files

Merge branch 'master' of relearn:git/relearn

parents 64bceb5c ba37a537
......@@ -97,7 +97,13 @@ def two():
p(xs, lambda angle: 0.1 + 0.7 * math.cos(angle/rotations))
def spiral(xmin, ymin, xmax, ymax, rotations):
def spiral(xmin, ymin, xmax, ymax, max_rotations, rotations, degrees):
'''
max_rotations: the number of rotations in the largest circle possible
rotations: the number of rotations in the circle you're drawing
degrees: like in HPGL---90 degrees draws a square
'''
steps = int(360 / degrees)
all_coordinates = xmin, ymin, xmax, ymax
f = lambda a: a / rotations / (2 * math.pi)
return compose_centered_plot(all_coordinates, angles(180, rotations), f)
f = lambda a: a / max_rotations / (2 * math.pi)
return compose_centered_plot(all_coordinates, angles(steps, rotations), f)
import irc.bot
from random import randint
from polar.polar import spiral
class ReportPlotBot(irc.bot.SingleServerIRCBot):
def __init__(self, observechannel, plotchannel, nickname, server, port=6667):
......
nb023-001.jpg;Verende constructie (Springy Construction), 1955 / band iron ;destroyed;150;;
nb023-002.jpg;Constructie met gebogen vlakken (Construction with Curved Planes), 1954 / steel, brass, plexiglass (photo: Victor E. Nieuwenhuys);private collection, long-term loan to Haags Gemeentemuseum, The Hague;88;79;45
nb023-003.jpg;Ruimtefiguur (spaceform), 1958 / plexiglass and metal / Amsterdam (photo: Jan Versnel);collection Stedelijk Museum;80;74;69
nb024-000.jpg;Observatorium (Observatory), 1955 / plexiglass and steel (photo: Jan Versnel);private collection;45;;
nb024-001.jpg;La fleur mécanique (The Mechanical Flower), 1955 / brass, lead, plastic, plexiglass, rock (photo: Victor E. Nieuwenhuys);collection Rijksmuseum Twente, Enschede;140;61;48
nb024-002.jpg;Untitled. 1955 / plexiglass and brass (photo: Jan Versnel);collection Kaiser Wilhelm Museum, Krefeld;56;45;30
nb024-003.jpg; Constructie met doorzichtige vlakken (Construction with Transparant Planes), 1954 aluminum, plexiglass (photo: Victor E. Nieuwenhuys);private collection;76;76;50
nb024-004.jpg;Constructie met gebogen dak (Construction with folded roof), 1955 / aluminum and brass (photo: Jan Versnel);destroyed;70;70;
nb025-000.jpg;Monument voor de wederopbouw;;;;
nb026-000.jpg;Concrete playground structure, 1955 (photo: Victor E. Nieuwenhuys);;;;
nb026-001.jpg;Design for play equipment for Amsterdam, 1956 / brass and copper (photo: Bram Wisman);;80;;
nb027-000.jpg;Ijhorst table designed for Het Spectrum, Bergeijk, 1953 / steelwire and glass (photo: Jan Versnel);;45;0.65;
nb028-000.jpg -;;;;;
nb029-000.jpg;Alison and Peter Smithson / Golden Lane Housing, 1952;;;;
nb029-001.jpg; Paysage artificiel (Artificial Landscape) metal (iron, steel, copper), ink on plexiglass, oil on wood (photo: Rob Kollaard);;5;60;55
;Hangende sector (Hanging Sector) / metal (iron, steel, copper, aluminum), blind rivets, oil (photos: Victor E. Nieuwen- huys);;100;130;80
nb030-000.jpg;Konrad Wachsmann / Space-frame structure for aircraft hanger, 1951-1953;;;;
nb030-001.jpg;Frei Otto / Underground Research Facility project, 1964;;;;
nb031-000.jpg;Richard Buckminster Fuller / Automated Cotton Mill project, 1951;;;;
nb032-000.jpg;Collage, Forum, August 1959;;;;
nb033-000.jpg;Har Oudejans and A. Alberts / Church design Forum, August 1959;;;;
nb034-000.jpg;I to r: Har Oudejans, Constant, Guy Debord, Armando. Hofbrauhaus, Munich, 1959 (photo: Rijksbureau voor Kunsthistorische Documentatie, The Hague);;;;
nb040-000.jpg; Yona Friedman and Constant at the GEAM congress in Amsterdam, 1962 (photo: Rijks- bureau voor Kunsthistorische Documentatie, The Hague);;;;
nb040-001.jpg;Yona Friedman / Mobile City over Amsterdam Brochure for GEAM exhibition and congress, Amsterdam, 1962 (photo: Rijksbureau voor Kunsthistorische Documentatie, The Hague);;;;
nb040-002.jpg;Cover of special issue of L'Architecture d'aujourd'hui, June-July 1962;;;;
nb041-000.jpg;Eckhard Schultze-Fielitz / Space City, 1961;;;;
nb041-001.jpg;Yona Friedman's Mobile City and Constant's New Babylon in L'Architecture d'aujourd'hui, June-July 1962;;;;
nb042-000.jpg;Ruimtevaart (SpaceTravel), 1957 / oil on panel private collection (photo: Tom Haartsen);;32;42;
nb042-001.jpg;Cosmisch landschap (Cosmic Landscape), 1957 / oil on panel (photo: Tom Haartsen);private collection;19;43;
nb042-002.jpg;Ruimtelandschap (Spatial Landscape), 1957 oil on panel (photo: Tom Haartsen);private collection;27;30;
nb042-003.jpg;Structuren in de ruimte (Structures in Space), 1957 / oil on panel (photo: Tom Haartsen);private collection;19;40;
nb043-000.jpg;Landkaart (Map), ca. 1958 / dry point etching (photo: Victor E. Nieuwenhuys);private collection;49;60;
nb043-001.jpg;Ets met drie gaten (Etching with Three Holes), ca. 1958 / dry point etching (photo: Victor E. Nieuwen­huys);private collection;49;60;
nb043-002.jpg;Divergerende stralen (Divergent Beams), ca. 1958 / dry point etching (photo: Victor E. Nieuwen­huys);private collection;25;18;
nb043-003.jpg;Ronde ets (Round Etching), ca. 1958 / dry point etching (photo: Victor E. Nieuwenhuys);private collection;29.7;25;
nb043-004.jpg;Ronde ets met drie gaten (Round Etching with Three Holes), ca. 1958 / dry point etching (photo: Victor E. Nieuwenhuys);private collection;29.7;25;
nb044-000.jpg;Nébulose mécanique, 1958 / iron wire, aluminum, marble (photo: Victor E. Nieuwenhuys);collection Haags Gemeentemuseum, The Hague;136;104;25
nb044-001.jpg;Schets voor Nébulose Mécanique (Sketch for Nébulose Mécanique), 1958 / pencil on paper (photo: Victor E. Nieuwenhuys);private collection;25;18;
nb044-002.jpg;Abfahrt im Raum (Departure to Space), 1958 metal, plexiglass;collection Kaiser Wilhelm Museum, Krefeld;81;;
nb044-003.jpg;Constructie met halve cirkels (Construction with half circles), 1958 / aluminum, plexiglass (photo: Bram Wisman);collection Kroller Milller Museum, Otterlo, on loan from Instituut Collectie Nederland;56;22;39
nb044-004.jpg;Het Zonneschip (Sunvessel), 1956 / metal, plexiglass, wood (photo: Rob Kollaard);private collection, long term loan to Haags Gemeentemuseum, The Hague;90;170;
nb045-000.jpg;Draadconstructie (Wire Construction), 1958 ironwire (photo: Jan Versnel);collection Museum Bochum;93;96;85
nb045-001.jpg; Lijn zonder einde (Endless Line), 1958 / metal, plexiglass (photo: Victor E. Nieuwenhuys);private collection;150;;
nb045-002.jpg; Eivormige constructie (Egg-shaped Con­struction), 1957 / steel and plexiglass (photo: Jan Versnel);private collection;90;60;60
nb045-003.jpg; Ruimtecircus (Space Circus), 1956-1961 iron wire, copper, cable sockets, blind rivets;collection Haags Gemeentemuseum, The Hague;105;90;100
nb045-004.jpg;Ruimtecircus (Space Circus), 1956-1961 iron wire, copper, cable sockets, blind rivets;collection Haags Gemeentemuseum, The Hague;105;90;100
nb046-000.jpg;Three Nébuloses mécaniques / Photomontage Victor E. Nieuwenhuys, n.d.;;;;
nb047-000.jpg;Draaibare Constructie (Pivotting Construction), 1956 / iron, plexiglass, brass / made for the municipal housing company in Amsterdam;destroyed;396;95;86
nb047-001.jpg;Construction dans un volume (Construction in a box), 1957 / metal, paint / private collection / photocourtesy Galerie Daniel Gervis, Paris (photo: Jean Dubout);;142;;
nb048-000.jpg;Vertikale stad (Vertical City), 1958 / metal / collection Galerie van de Loo, Munich (photo: Bram Wisman);;66;54;40
nb048-001.jpg;Twee torens (Two Towers), 1959 / ironwire (photo: Victor E. Nieuwenhuys);private collection;89;46;43
nb048-002.jpg;Toren (Tower), 1959 / iron wire, aluminum (photo: Victor E. Nieuwenhuys);private collection;89;;
nb048-003.jpg;Toren (Tower), 1959 / iron wire, aluminum (photo: Victor E. Nieuwenhuys);private collection;145;;
nb048-004.jpg;Entrance to sports park Ookmeer, Amsterdam, 1963 (photo: Victor E. Nieuwenhuys);;;;
nb049-000.jpg;Design for a labyrinth in front of the Dutch Telecom Building, Arnhem, ca. 1968 (photo: Victor E. Nieuwenhuys);;;;
nb049-001.jpg;Fountain, Leiden, 1966 (photo: Victor E. Nieuwenhuys);;;;
nb049-002.jpg;Het woestijnproject (The Desert Project), 1965/ Design for the Evoluon square by Bureau Havocon, Eindhoven (photo: Victor E. Nieuwenhuys);;;;
nb050-000.jpg;Experiment Studio Rotterdam, 1966;;;;
nb050-001.jpg;Axonometrische tekeningen voor het ESR(Axonometrie drawingforthe ESR), 1966 ink and pastel (photo: Gustaaf Begas);collection Universiteitvan de Socio-Ruimte;75;60;
nb050-002.jpg;Constant working with Jan Jacobs on model video still from 'Constant oder der Weg nach New Babylon' directed by Carlheinz Caspari, broadcast on German NDR television, 1968;;;;
nb051-000.jpg;Installation view Städtische Kunstgalerie, Bochum, 1961;;;;
nb051-001.jpg;Installation view Haags Gemeente museum, The Hague, 1965;;;;
nb052-000.jpg;NicTummers / Exhibition plan for New Babylon, Dominicaner Kerk, Maastricht, 1965 (photo: Rijksbureau voor Kunsthistorische Documentatie, The Hague);;;;
nb052-001.jpg;Installation view in Dominicaner Kerk, Maastricht, 1965;;;;
nb052-002.jpg;Deurenlabyrinth (Doorlabyrinth), 1974 / exhibition Haags Gemeentemuseum, The Hague;;;;
nb053-003.jpg;Simon Vinkenoog and Constant during shoot of VPRO tv program, 'Atelierbezoek,' 1962 (photo: Bram Wisman);;;;
nb054-000.jpg;A selection of New Babylon exhibition catalogs and invitation cards;;;;
nb054-001.jpg;A selection of New Babylon exhibition catalogs and invitation cards;;;;
nb054-002.jpg;A selection of New Babylon exhibition catalogs and invitation cards;;;;
nb054-003.jpg;A selection of New Babylon exhibition catalogs and invitation cards;;;;
nb054-004.jpg;A selection of New Babylon exhibition catalogs and invitation cards;;;;
nb054-005.jpg;A selection of New Babylon exhibition catalogs and invitation cards;;;;
nb054-006.jpg;A selection of New Babylon exhibition catalogs and invitation cards;;;;
nb054-007.jpg;A selection of New Babylon exhibition catalogs and invitation cards;;;;
nb054-008.jpg;A selection of New Babylon exhibition catalogs and invitation cards;;;;
nb054-009.jpg;A selection of New Babylon exhibition catalogs and invitation cards;;;;
nb054-010.jpg;A selection of New Babylon exhibition catalogs and invitation cards;;;;
nb054-012.jpg;A selection of New Babylon exhibition catalogs and invitation cards;;;;
nb055-000.jpg;De New Babylon Informatief, nos. 1-4;;;;
nb055-001.jpg;De New Babylon Informatief, nos. 1-4;;;;
nb055-002.jpg;De New Babylon Informatief, nos. 1-4;;;;
nb055-003.jpg;De New Babylon Informatief, nos. 1-4;;;;
nb056-000.jpg;Theory collages for Hans Locher, 1974;;;;
nb057-000.jpg;Theory collages for Hans Locher, 1974;;;;
nb058-000.jpg;;;;;
nb059-000.jpg;;;;;
nb061-000.jpg;Invitation forthe exhibition NewBabylon. Tekeningen 1961-1962 at Galerie Delta, Rotterdam, 1963 (photo: Gustaaf Begas);;;;
nb062-000.jpg;New Babylon Archiv stamp;;;;
nb063-000.jpg;W'mdharp (Windharp), 1965 / Design for the Evoluon square in Eindhoven / nylon, wood, metal (photo: Victor E. Nieuwenhuys);;200;200;
nb064-000.jpg;Untitled (Model with electronics), 1969 (photo: Victor E. Nieuwenhuys);destroyed;1500;1500;2000
nb068-000.jpg;Cornelis van Eesteren and Theo van Doesburg Design for shopping and housing area, 1924 collage (photo: Nederlands Architectuur Instituut/collectie Van Eesteren, Fluck en Van Lohuizenstichting, The Hague);;;;
nb069-000.jpg;Alison and Peter Smithson / Golden Lane Housing. 1952 / collage;;;;
nb070-000.jpg;Opstand (Revolt), 1970 / Artist's page in Het Parool, 7 May 1970 / special commision by the newspaper on the occassion of the commemoration of liberation day (photo: Gustaaf Begas);;;;
nb072-000.jpg;Constant in his studio in Amsterdam, 1966 (photo: Nico Koster);;;;
nb073-000.jpg;Constant in his studio in Amsterdam, 1966 (photo: Nico Koster);;;;
nb076-000.jpg;(Ambience of Play) brass, oil paint on wood / private collection (photos: Bram Wisman);long-term loan to Haags Gemeentemuseum,The Hague;12;155;155
nb076-001.jpg;(Ambience of Play) brass, oil paint on wood / private collection (photos: Bram Wisman);long-term loan to Haags Gemeentemuseum,The Hague;12;155;155
nb077-000.jpg;(Ambience of Play) brass, oil paint on wood (photos: Bram Wisman);private collection, long-term loan to Haags Gemeentemuseum,The Hague;12;155;155
nb080-000.jpg;;;;;
Nb081-000.jpg;;;;;
nb081-001.jpg;;;;;
nb082-000.jpg;Constructie in oranje (Orange Construction) metal, ink on plexiglass, oil on wood (photo 1, 2: Jan Versnel /3,5,6: Victor E. Nieuwenhuys / 4: Bram Wisman);;23;110;100
nb083-000.jpg;Constructie in oranje (Orange Construction) metal, ink on plexiglass, oil on wood (photo 1, 2: Jan Versnel /3,5,6: Victor E. Nieuwenhuys / 4: Bram Wisman);;23;110;100
nb084-000.jpg;Constructie in oranje (Orange Construction) metal, ink on plexiglass, oil on wood (photo 1, 2: Jan Versnel /3,5,6: Victor E. Nieuwenhuys / 4: Bram Wisman);;23;110;100
nb084-001.jpg;Constructie in oranje (Orange Construction) metal, ink on plexiglass, oil on wood (photo 1, 2: Jan Versnel /3,5,6: Victor E. Nieuwenhuys / 4: Bram Wisman);;23;110;100
nb085-000.jpg;Constructie in oranje (Orange Construction) metal, ink on plexiglass, oil on wood (photo 1, 2: Jan Versnel /3,5,6: Victor E. Nieuwenhuys / 4: Bram Wisman);;23;110;100
nb086-000.jpg;Constructie in oranje (Orange Construction) metal, ink on plexiglass, oil on wood (photo 1, 2: Jan Versnel /3,5,6: Victor E. Nieuwenhuys / 4: Bram Wisman);;23;110;100
nb088-000.jpg;Gele sector (Yellow Sector) / metal (iron, aluminum, copper), ink on plexiglass, oil on wood (photo 1: Jan Ver- snel / 2-5,7: Bram Wisman /6: Har Oudejans);;23;110;100
nb088-001.jpg;Gele sector (Yellow Sector) / metal (iron, aluminum, copper), ink on plexiglass, oil on wood / (photo 1: Jan Ver- snel / 2-5,7: Bram Wisman /6: Har Oudejans);;21;82.5;77.5
nb088-002.jpg;Gele sector (Yellow Sector) / metal (iron, aluminum, copper), ink on plexiglass, oil on wood / (photo 1: Jan Ver- snel / 2-5,7: Bram Wisman /6: Har Oudejans);;21;82.5;77.5
nb089-000.jpg;Gele sector (Yellow Sector) / metal (iron, aluminum, copper), ink on plexiglass, oil on wood / (photo 1: Jan Ver- snel / 2-5,7: Bram Wisman /6: Har Oudejans);;21;82.5;77.5
nb090-000.jpg;Gele sector (Yellow Sector) / metal (iron, aluminum, copper), ink on plexiglass, oil on wood / (photo 1: Jan Ver- snel / 2-5,7: Bram Wisman /6: Har Oudejans);;21;82.5;77.5
nb091-000.jpg;Gele sector (Yellow Sector) / metal (iron, aluminum, copper), ink on plexiglass, oil on wood / (photo 1: Jan Ver- snel / 2-5,7: Bram Wisman /6: Har Oudejans);;21;82.5;77.5
nb091-001.jpg;Gele sector (Yellow Sector) / metal (iron, aluminum, copper), ink on plexiglass, oil on wood / (photo 1: Jan Ver- snel / 2-5,7: Bram Wisman /6: Har Oudejans);;21;82.5;77.5
nb092-000.jpg;Rode sector (Red Sector) / metal (iron, aluminum, copper), ink on plexiglass, oil on wood;;21;82.5;77.5
nb092-001.jpg;Rode sector (Red Sector) / metal (iron, aluminum, copper), ink on plexiglass, oil on wood;;21;82.5;77.5
nb093-000.jpg;Rode sector (Red Sector) / metal (iron, aluminum, copper), ink on plexiglass, oil on wood;;21;82.5;77.5
nb094-000.jpg;Rode sector (Red Sector) / metal (iron, aluminum, copper), ink on plexiglass, oil on wood;;21;82.5;77.5
nb097-000.jpg;Orient sector (Orient Sector) / metal, ink on plexiglass, oil on wood / (photo 1, 2, 4,5: Victor E. Nieuwenhuys /3: Bram Wisman);;21;82.5;77.5
nb098-000.jpg;Plattegrond van de orient sector (Map of the Orient Sector) / pencil and ink on paper ;;40;51;
nb098-001.jpg;Ambiance de départ (Ambience of departure) / metal (iron, steel, copper), plexiglass, oil on wood (photo 1.3: Victor Nieuwenhuys / 2: Rob Kollaard);;17;77.5;60.5
nb098-002.jpg;Ambiance de départ (Ambience of departure) / metal (iron, steel, copper), plexiglass, oil on wood (photo 1.3: Victor Nieuwenhuys / 2: Rob Kollaard);;17;77.5;60.5
nb099-000.jpg;Ambiance de départ (Ambience of departure) / metal (iron, steel, copper), plexiglass, oil on wood (photo 1.3: Victor Nieuwenhuys / 2: Rob Kollaard);;17;77.5;60.5
nb100-000.jpg;Ambiance de départ (Ambience of departure) / metal (iron, steel, copper), plexiglass, oil on wood (photo 1.3: Victor Nieuwenhuys / 2: Rob Kollaard);;17;77.5;60.5
nb102-000.jpg;Ambiance de départ (Ambience of departure) / metal (iron, steel, copper), plexiglass, oil on wood (photo 1.3: Victor Nieuwenhuys / 2: Rob Kollaard);;10;99;75.5
nb103-000.jpg;Ambiance de départ (Ambience of departure) / metal (iron, steel, copper), plexiglass, oil on wood (photo 1.3: Victor Nieuwenhuys / 2: Rob Kollaard);;10;99;75.5
nb103-001.jpg;Ambiance de départ (Ambience of departure) / metal (iron, steel, copper), plexiglass, oil on wood (photo 1.3: Victor Nieuwenhuys / 2: Rob Kollaard);;10;99;75.5
nb104-000.jpg;Ambiance de départ (Ambience of departure) / metal (iron, steel, copper), plexiglass, oil on wood (photo 1.3: Victor Nieuwenhuys / 2: Rob Kollaard);;10;99;75.5
nb104-001.jpg;Ambiance de départ (Ambience of departure) / metal (iron, steel, copper), plexiglass, oil on wood (photo 1.3: Victor Nieuwenhuys / 2: Rob Kollaard);;10;99;75.5
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