Commit 31a0fd92 authored by gijs's avatar gijs

Further HTML cleanup

parent eb1ddd68
......@@ -99,28 +99,34 @@
As letters were drawn using code rather than manipulating a preview through a graphical interface we could draw together
live and simultaneously through a collaborative text editor, Etherpad. During the workshop this shared pad was projected
in parallel with its graphical interpretation. This way all the participants could contribute with their letter(s)
being aware of the evolution of the letters drawn by the others.</p>
being aware of the evolution of the letters drawn by the others.
</p>
<p>
Linked up with this common screen; a <em>plotter</em> (pen tracer) allowing live drawing of the designed steps. These
snapshots where exhibited so that visitors could feel the collective font process. Next to these snapshots specimens
of the final font were drawn with a mural plotter during the opening of the exhibition.</p>
of the final font were drawn with a mural plotter during the opening of the exhibition.
</p>
<p>
Drawing collaboratively through code asked for a different process in considering shape.</p>
Drawing collaboratively through code asked for a different process in considering shape.
</p>
<h4 id="buda-2016">2016 - Worksession at Buda (Courtrai), at OSP WTC and GC Ten Weyngaert (Forest)</h4>
<p>
In order to analyze and further the research started at Balsamine we organized three working sessions.</p>
In order to analyze and further the research started at Balsamine we organized three working sessions.
</p>
<p>
In the two first sessions in Buda (October 2016) and at WTC (January 2017), we looked back on the experiment at la Balsamine
theater. Throughout our discussions we developped a common vocabulary and tried to precise our research scope. We
identified three programming languages, each being able to describe or encode a drawing but all coming with their
own approaches on how to desribe shape and motion. These languages were linked to approaches of movement we had developed
to arrive at strategies of interpretation.</p>
to arrive at strategies of interpretation.
</p>
<p>
During the last session at GC Ten Weyngaert (January 2017) we invited two external guests, Louise Baduel and Sarah van Lamsweerde,
to reflect on the work we'd developed and to find new insigts and directions to continue This last session helped
us to realise how each worksession was preceded by exchanges on practices of the participants and that these sessions
are crucial to establish a shared vocabulary and shared base of knowledge. The "lecture performance" we're organizing
in Balsamine in October 2017 is for us a logical next step.</p>
in Balsamine in October 2017 is for us a logical next step.
</p>
<figure>
<img src="https://cloud.osp.kitchen/s/z17JEW0gdceZLA8/download" />
<img src="https://cloud.osp.kitchen/s/917rXUNJ3YhGDqo/download" />
......@@ -280,15 +286,14 @@
<h3 id="research">research</h3>
<ul>
<li>
<a href="http://possiblebodies.constantvzw.org/inventory/" rel="nofollow">Possible Bodies</li>
</a>
<a href="http://possiblebodies.constantvzw.org/inventory/" rel="nofollow">Possible Bodies</a>
</li>
</ul>
<h3 id="dance-draw">dance, draw</h3>
<ul>
<li>[Drumming, Anne Teresa De Keersmaeker / Rosas &amp; Ictus] <a href="http://www.rosas.be/fr/productions/355-drumming%3C/li%3E"
rel="nofollow">http://www.rosas.be/fr/productions/355-drumming</li></a>
<li><a href="https://www.youtube.com/watch?v=U7DQVW6qRq8">Trisha Brown Drawing/Performance</a></li>
<li><a href="https://www.youtube.com/watch?v=2UeuL5BUgBM">Penwald: 8: 12 by 12 on knees, Tony Orrico</a></li>
<li><a href="http://www.rosas.be/fr/productions/355-drumming">Drumming, Anne Teresa De Keersmaeker / Rosas &amp; Ictus</a></li>
<li><a href="https://www.youtube.com/watch?v=U7DQVW6qRq8">Trisha Brown Drawing/Performance</a></li>
<li><a href="https://www.youtube.com/watch?v=2UeuL5BUgBM">Penwald: 8: 12 by 12 on knees, Tony Orrico</a></li>
</ul>
<h3 id="write">write</h3>
<ul>
......@@ -308,7 +313,9 @@
In 1960, Stanley Brouwn started <em>This Way Brouwn</em> serie, itenarary sketches En 1960, il commence la série
This Way Brouwn, sketches of itinerary sketched by passers-by to whom he asks his way and where he then imposes his
stamp.
<img alt="" src="https://walker-col.imgix.net/wac_7776.tif?fm=jpg&amp;w=1440&amp;h=1050&amp;fit=max" /></p>
<br />
<img alt="" src="https://walker-col.imgix.net/wac_7776.tif?fm=jpg&amp;w=1440&amp;h=1050&amp;fit=max" />
</p>
<ul>
<li>Esther Ferrer</li>
</ul>
......@@ -316,13 +323,8 @@
<a href="https://www.youtube.com/watch?v=S6KflUAhQXI">Le chemin se fait en marchant</a>
</p>
<style type="text/css">
h2 {
color: red !important;
}
img.half {
img {
max-width: 40%;
display: inline-block;
}
</style>
</body>
......
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